In 2024, my work was selected as one of 30 finalists from 106 submissions for Digital Mind, part of the Art on Billboard project, and presented in the finalist exhibition at CC19.

The project asked a question that has only become more relevant with time: what happens to our sense of self as more of our lives move into the digital world?

Technology gives us extraordinary possibilities. It expands how we communicate, create, work and understand the world around us.

But it also changes the conditions in which we understand ourselves.

We live surrounded by a continuous flow of images, information and other people’s lives. The boundary between our own experience and what reaches us through a screen becomes increasingly difficult to recognise.

This was what interested me most about Digital Mind.

Not technology itself, but the human being inside it.

The exhibition transformed digital works into an immersive physical experience, bringing them back into a shared space where viewers could encounter them together.

For me, that movement — from digital image to physical encounter — became part of the meaning of the project itself.

Technology changes the way we experience the world.

The more difficult question is how much it changes the way we experience ourselves.