Materials in my work are never chosen only for their visual qualities. I am interested in what they can express through their physical properties.

Alcohol ink is fluid and difficult to fully control. It moves freely across the surface and creates forms that cannot be precisely repeated.

Textile is soft and flexible, but when combined with plaster it becomes rigid and fixed. Tufting adds volume and density, while resin preserves movement beneath a hard, polished surface.

I use these contrasts deliberately: soft and rigid, fluid and fixed, controlled and unpredictable.

They reflect something I often think about in my work — the relationship between the individual and the structures around us. We are constantly shaped by expectations, experience and the environments we live in, while something personal continues to exist within them.

This is why material is not simply a technique in my practice. It is part of how I build meaning.